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In Praise of the Hand: Group Show

Past exhibition
11 March - 31 July 2021
  • Overview
  • Works
  • Press
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Overview
Roger Schall, Sans titre, Assia, c. 1933
Roger Schall, Sans titre, Assia, c. 1933

Les Douches la Galerie is pleased to present L’éloge de la main [In Praise of the Hand], a collective exhibition crossing various movements that investigates the motif of the hand in photography. This exhibition brings together fifty prints from the works of twenty-eight artists spanning the period from 1925 to 2018.

The hand, a dreaded style exercise in painting and drawing, became a recurring technical and symbolic motif from photography’s earliest stages onward. Since a shot makes it possible to represent the hand as a fragment, isolated from the rest of the body, the hand henceforth became a subject in its own right.

It is the ultimate personification of an appendage, signing and affixing its digital imprint. On its own, it metonymically shapes its owner’s portrait. In fact, Berenice Abbott chose to represent Jean Cocteau, who was so fascinated by hands that he made them speak in his film The Blood of a Poet (1930), through his two hands harmoniously resting on a hat. In Ernst Haas’ portrait of the pianist Arthur Rubinstein, the hand also stands for the subject’s profession and talent, and we search it for signs of his virtuosity. Accompanied by its sculpted double, this emblematic hand underlines his creative force.

Often presented in still lifes or joined to industrial objects, hands also express an artistic subjectivity allied or opposed to mechanical production. Jean-Philippe Charbonnier’s hands, for example, are fused to a typewriter, thus becoming its machinery, while Denise Bellon’s tiny intertwined hands sow doubt through their artificiality.

At the opposite end of the spectrum, dematerialised, ghostly hands are a favoured motif of experimental photography. Cut off from reality, translucid, the hands of André Steiner, Roger Catherineau, Maurice Tabard and more recently Thierry Balanger present a familiar subject in an unknown, almost phantasmagorical version. In Soluble Fish (1934), André Breton was already able to write, ‘I took this hand in mine; raising it to my lips, I suddenly noticed that it was transparent and that through it one could see the great garden where the most experienced divine creatures go to live’[1].

In surrealist photography, the cut off hand is a symbol of the liberated psyche, destabilising all logical meaning. In fact, the First Manifesto of Surrealism states that, ‘It will glove your hand, burying therein the profound M with which the word Memory begins’[2]. The glove is a surrealist attribute and poetic subject that conceals at the same time as it dresses. For Germaine Krull and Jean Moral it is both body and object.

Suspended in its motion, the hand is also the ultimate motif for the medium of snapshots. Tom Arndt is thus able to capture the passion of a political gesture, and Arlene Gottfried the silent language of tenderness and love. John Baldessari isolates, then joins, contradictory gestures, while Hervé Guibert reveals the simplicity of an intimate, routine gesture.  

In fact, it is the hand’s duality that makes it the ultimate photographic subject. A portrait of a hand doubles it, prolonging the mirror effect already produced by the pair of hands that are symmetrically positioned. Pierre Boucher recreates this duality through reflections, and André Steiner evokes an ambiguous reading through echo and differing scales. And finally, Bruce Wrighton adroitly composes frontal portraits around a false symmetry whose fulcrum is the point where hands join.

Autonomous fragments in experimentation or essential details of a captured moment, hands are presented in this exhibition as a photographic object that examines the medium’s technical specificities, running the length of its history.

 



[1] André Breton, Soluble Fish (1924), in Manifestoes of Surrealism, trans. Richard Seaver, Helen R. Lane  (University of Michigan Press, 1969),  90.

[2] André Breton, First Manifesto of Surrealism (1924), in Manifestoes of Surrealism, cit.,  32.

 

 

 

  • Download Press Kit
Download Press Release
Works
  • Sid Kaplan, P.S. 190, New York City, 1955
    Sid Kaplan, P.S. 190, New York City, 1955
  • Tom Arndt, Street musician, Chicago, 1997
    Tom Arndt, Street musician, Chicago, 1997
  • Berenice Abbott, Hands of Jean Cocteau, 1927
    Berenice Abbott, Hands of Jean Cocteau, 1927
  • Ernst Haas, Arthur Rubinstein, Hand Sculpture, New York, 1961
    Ernst Haas, Arthur Rubinstein, Hand Sculpture, New York, 1961
  • Louis Faurer, Untited, New York, 1948
    Louis Faurer, Untited, New York, 1948
  • Jacques-Henri Lartigue, Les mains de Florette aux dessins de Matisse, 1944
    Jacques-Henri Lartigue, Les mains de Florette aux dessins de Matisse, 1944
  • Albert Rudomine, La main de Dieu d'Auguste Rodin, c. 1935
    Albert Rudomine, La main de Dieu d'Auguste Rodin, c. 1935
  • Jean-Philippe Charbonnier, Les jambes de Marisa (Berenson), 1978
    Jean-Philippe Charbonnier, Les jambes de Marisa (Berenson), 1978
  • Roger Schall, Sans titre, Assia, c. 1933
    Roger Schall, Sans titre, Assia, c. 1933
  • Arlene Gottfried, Untitled, n.d.
    Arlene Gottfried, Untitled, n.d.
  • Arlene Gottfried, Dancing at pool, Granit Hotel, NY, 1985
    Arlene Gottfried, Dancing at pool, Granit Hotel, NY, 1985
  • Arlene Gottfried, Untitled, n.d.
    Arlene Gottfried, Untitled, n.d.
  • Louis Faurer, Philadelphia, 1944
    Louis Faurer, Philadelphia, 1944
  • Sébastien Camboulive, Contiguïté #17, 2018
    Sébastien Camboulive, Contiguïté #17, 2018
  • Tom Arndt, Freed Hostage Parade, New York City, 1981
    Tom Arndt, Freed Hostage Parade, New York City, 1981
  • Sid Kaplan, New York, NY, c. 1954-1956
    Sid Kaplan, New York, NY, c. 1954-1956
  • Germaine Krull, Des gants blancs, 1925-1926
    Germaine Krull, Des gants blancs, 1925-1926
  • Jean Moral, Suzanne Talbot, n.d.
    Jean Moral, Suzanne Talbot, n.d.
  • Germaine Krull, Collier de Lakhovsky, 1925-1926
    Germaine Krull, Collier de Lakhovsky, 1925-1926
  • Germaine Krull, Sans titre, n.d.
    Germaine Krull, Sans titre, n.d.
  • François Kollar, Sans titre, c. 1935
    François Kollar, Sans titre, c. 1935
  • Sabine Weiss, La main de Gisèle Strauss, Paris, 1947
    Sabine Weiss, La main de Gisèle Strauss, Paris, 1947
  • Arlene Gottfried, Untitled (Mommie covering face with hand), n.d.
    Arlene Gottfried, Untitled (Mommie covering face with hand), n.d.
  • Sabine Weiss, Grèce, 1958
    Sabine Weiss, Grèce, 1958
  • Sabine Weiss, Sans titre, n.d.
    Sabine Weiss, Sans titre, n.d.
  • Ray K. Metzker, Chicago - Non Loop, 1957
    Ray K. Metzker, Chicago - Non Loop, 1957
  • Maurice Tabard, Sans titre, 1929
    Maurice Tabard, Sans titre, 1929
  • André Steiner, Étude de mains, c. 1934
    André Steiner, Étude de mains, c. 1934
  • Hervé Guibert, Musée Grévin, Paris, 1978
    Hervé Guibert, Musée Grévin, Paris, 1978
  • Val Telberg, Mr and Mrs Bremley, n.d.
    Val Telberg, Mr and Mrs Bremley, n.d.
  • Pierre Boucher, Bras sur le Guadalquivir, 1934-35
    Pierre Boucher, Bras sur le Guadalquivir, 1934-35
  • Denise Bellon, Natures mortes, poupées, c. 1930-1940
    Denise Bellon, Natures mortes, poupées, c. 1930-1940
  • Thierry Balanger, Vanité 77, 1994
    Thierry Balanger, Vanité 77, 1994
  • Raoul Ubac, Mains et pierres, 1932
    Raoul Ubac, Mains et pierres, 1932
  • André Steiner, Sans titre, c. 1930
    André Steiner, Sans titre, c. 1930
  • Roger Catherineau, Sans titre, ca 1955
    Roger Catherineau, Sans titre, ca 1955
  • Roger Catherineau, Sans titre, c. 1957-1958
    Roger Catherineau, Sans titre, c. 1957-1958
Press
  • Pour la beauté du geste

    Frédérique Chapuis, Télérama Sortir, 16 June 2021
    This link opens in a new tab.
  • L'éloge de la main

    Frédérique Chapuis, Télérama Sortir, 24 May 2021
  • Jeux de mains aux Douches La Galerie

    Lou Tsatsas, Fisheye Magazine, 22 May 2021
Installation Views
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Related artists

  • Berenice Abbott

    Berenice Abbott

  • Tom Arndt

    Tom Arndt

  • John Baldessari

    John Baldessari

  • Pierre Boucher

    Pierre Boucher

  • Sébastien Camboulive

    Sébastien Camboulive

  • Roger Catherineau

    Roger Catherineau

  • Louis Faurer

    Louis Faurer

  • Arlene Gottfried

    Arlene Gottfried

  • Hervé Guibert

    Hervé Guibert

  • Ernst Haas

    Ernst Haas

  • Sid Kaplan

    Sid Kaplan

  • Germaine Krull

    Germaine Krull

  • Ray K. Metzker

    Ray K. Metzker

  • Jean Moral

    Jean Moral

  • André Steiner

    André Steiner

  • Val Telberg

    Val Telberg

  • Sabine Weiss

    Sabine Weiss

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