Overview

Berenice Abbott began her artistic career in New York, Berlin and Paris where she worked as Man Ray's assistant. At his side, she discovered photography, then established herself as a freelance photographer in 1926 and produced portraits of famous artists and writers.

Upon her return to New York in 1929, Berenice Abbott initiated her historic project Changing New York. Fascinated by the city's rapid metamorphosis, she decided to "do for New York what Atget had done for Paris," i.e., meticulously document a city in transformation.

Produced in the 1950s for the Massachusetts Institute of Technology in Boston, the Documenting Science project illustrates the physical principles of mechanics and light.

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Biography

Born in 1898 in Springfield, Ohio, USA

Died in 1991 in Monson, Maine, USA

 

1898       

Birth of Berenice Abbott in Springfield, Ohio, on 17 July.

1917       

Studies to be a journalist at Ohio State University.

1918       

Leaves for New York City and moves in artistic circles.

1921       

Sails to Europe. Studies sculpture in Paris and Berlin and frequents the Surrealist avant-garde.

1923       

Hired by Man Ray in his Parisian portrait studio. In addition to making prints, starts to take her own portraits.

1926       

Opens her own studio. Photographs the bourgeoisie and artists. First exhibition at the gallery Au Sacre du Printemps. Art critics take note. Meets Euge?ne Atget and buys several prints.

1928       

Buys part of the estate of Atget, who died in 1927. Exhibits at the Salon de l'Escalier, a manifesto against Pictorialism.

1929       

Shows in two German modernist exhibitions: "Fotografie der Gegenwart" (Essen) and "Film und Foto" (Stuttgart).
Returns to New York City. Opens a portrait studio and starts photographing the City.

1930       

Exhibits at the Weyhe Gallery. Publishes the book Atget photographe de Paris. Takes part in "Photography" at Harvard University, the first American show to break with tradition and also with the circle of Alfred Stieglitz.

1931       

Seeks institutions to finance her big project on New York City.

1932       

Exhibitions: "Photographs of New York by New York Photographers", "Photographs by Berenice Abbott" and "Exhibition of Portrait Photography" at the Julien Levy Gallery and "Murals by American Painters and Photographers" at the Museum of Modern Art (MoMA).

1934?35

Photographs Victorian architecture in East Coast cities. Exhibitions: "American Cities Before the Civil War" (Yale University) and "The Architecture of Henry Hobson Richardson and His Times" (MoMA).

1934       

Exhibits photographs about New York City at the Museum of the City of New York with the hope of finding sponsors for her project.

1935       

Changing New York is supported by the Federal Art Project, a government programme to aid artists. Abbott takes over 300 photographs.

1935-58

Teaches photography at the New School for Social Research.

1937       

Exhibition of images of New York City at the Museum of the City of New York.

1939       

Publication of the book Changing New York.

1941       

Publication of Guide to Better Photography.

1944?45

Artistic Director of Science Illustrated. Develops the super-sight technique which produces 40 x 50 cm (16 x 20 inch) negatives.

1954       

Travels along Route 1 to photograph towns on the East Coast.

1958?61

Hired by the Massachusetts Institute of Technology to illustrate the physical principles of light, speed and magnetism.

1960       

Exhibition, "Image of Physics" is organised by the Smithsonian Institute in Washington, D.C.

1964       

Publication of The World of Atget, Magnet and Motion.

1968      

The Museum of Modern Art acquires Abbott and Levy's portion of the Atget estate.

1991       

Death of Berenice Abbott in Monson, Maine, on 9 December.

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