Berenice Abbott American, 1898-1991
Berenice Abbott began her artistic career in New York, Berlin and Paris where she worked as Man Ray's assistant. At his side, she discovered photography, then established herself as a freelance photographer in 1926 and produced portraits of famous artists and writers.
Upon her return to New York in 1929, Berenice Abbott initiated her historic project Changing New York. Fascinated by the city's rapid metamorphosis, she decided to "do for New York what Atget had done for Paris," i.e., meticulously document a city in transformation.
Produced in the 1950s for the Massachusetts Institute of Technology in Boston, the Documenting Science project illustrates the physical principles of mechanics and light.
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Berenice AbbottEugene Atget, 1927Tirage palladium, postérieur10,3 x 7,7 cm
3.94 x 2.76 in
Dim. papier: 35,5 x 28 cmView more details -
Berenice AbbottBeginning of a battery, 1958-61Tirage gélatino-argentique, réalisé entre 1960-70Signé au crayon par l'artiste, tampon de l'adresse "50 Commerce St." et annotations au crayon au versoDimensions de l'image : 14,2 x 10,3 cm
Dimensions du tirage : 14,2 x 10,3 cmView more details -
Berenice AbbottSmoke Stacks, Red River Logging Project, CA, 1943Tirage gélatino-argentique postérieurMonté sur carton, signé au crayon au recto, et tampon copyright Berenice Abbott / Commerce Graphics Ltd. au versoDimensions de l'image : 34 x 26,7 cm
Dimensions du tirage contrecollé : 50,8 x 40,6 cmView more details -
Berenice AbbottConstruction of old & new from Washington Street #37, 1936Tirage gélatino-argentique d'époqueSigné au crayon au recto du carton et tamponné avec l'adresse "50 Commerce Street" au verso du carton19,3 x 24 cm
Dim. papier: 22,5 x 33 cmView more details -
Berenice AbbottDowntown Skyport, New York, 1936Tirage gélatino-argentique postérieurSigné au crayon au recto, tampon "Abbot, Maine" au verso25,7 x 33 cm
Dim. papier: 50,8 x 40,8 cmView more details -
Berenice AbbottFifth Avenue Coach Company, New York, 1932Tirage gélatino-argentique postérieurSigné au crayon au recto, tampon Abbot, Maine au verso34,3 x 27 cm
Dim. papier: 50,8 x 40,8 cmView more details -
Berenice AbbottFifth Avenue Houses, No. 4, 6, 8, New York, 1936Tirage gélatino-argentique postérieurSigné au crayon sur le recto et tamponné au dos Abbot, Maine34 x 26,8 cm
Dim. papier: 40 x 50 cmView more details -
Berenice AbbottFlatiron Building, Broadway and Fifth Avenue, New York, 1938Tirage gélatino-argentique postérieurSigné au crayon au recto, tampon Abbot, Maine au verso34,4 x 26,7 cm
13.39 x 10.24 in
Dim. papier: 40 x 50 cmView more details -
Berenice AbbottFortieth Street between Sixth and Seventh Avenues, Sept. 8, 1938Tirage gélatino-argentique d'époqueSigné, titré, daté et annoté "58-1" et "I.A.3" au crayon, Tamponné "Berenice Abbott / Federal Art Project Changing New York" au verso19 x 24 cm
Dim. papier: 19 x 24 cmView more details -
Berenice AbbottManhattan Bridge Looking Up, New York, 1936Tirage gélatino-argentique postérieurSigné au crayon au recto, tampon Abbot, Maine au versoDimensions de l'image : 48,7 x 38 cm
Dimensions du tirage : 76 x 61 cmView more details -
Berenice AbbottNightview, New York, 1932Tirage gélatino-argentique postérieurSigné au crayon par l'artiste au recto du carton. Étiquette au verso.26,4 x 34 cm
Dim. papier: 40 x 50 cmView more details -
Berenice AbbottOyster Houses, South Street and Pike Slip, 1931-32Tirage gélatino-argentique postérieurSigné au crayon au recto, tampon "Abbot, Maine" au verso du cartonDimensions de l'image : 34,5 x 27 cm
Dimensions du tirage : 50,8 x 40,8 cmView more details -
Berenice AbbottTempo of the City #2 (Fifth Avenue and 42nd Street), New York, 1938Tirage gélatino-argentique postérieurSigné au crayon au recto, tampon Abbot, Maine au verso35,2 x 26,9 cm
Dim. papier: 50,8 x 40,8 cmView more details -
Berenice AbbottTreasury Building, New York, 1933Tirage gélatino argentique postérieur réalisé en 1957Signé au crayon au recto, tampon Commerce Graphics au versoDimensions de l'image : 49 x 39 cm
Dimensions du tirage : 61 x 76 cmView more details -
Berenice AbbottView of Manhattan from the Manhattan Bridge, 1937Tirage gélatino-argentique postérieurSigné au crayon au recto, tampon Commerce Graphics au verso48,4 x 38,8 cm
Dim. papier: 61 x 76 cmView more details -
Berenice AbbottExpanding Circular Waves, 1958-61Tirage gélatino-argentique d'époque, monté sur cartonSigné au crayon par l'artiste, tampon "Berenice Abbott, 50 Commerce Street, New York 14, N.Y." et annotations au crayon au versoDimensions de l'image : 17 x 21,2 cm
Dimensions du tirage : 17 x 21,2 cmView more details -
Berenice AbbottLight through prism, Cambridge, Massachussetts, 1958-61Tirage gélatino-argentique postérieurSigné au crayon sur le recto et tamponné au dos Abbot, Maine49,7 x 39,3 cm
Dim. papier: 60 x 76 cmView more details -
Berenice AbbottMagnetism and Electricity II, 1958-61Tirage gélatino-argentique postérieurSigné au crayon au recto, tampon Abbot, Maine au versoDimensions de l'image : 26,3 x 34,4 cm
Dimensions du tirage : 40,5 x 50,8 cmView more details -
Berenice AbbottMagnetism with Key, 1958-61Tirage gélatino-argentique postérieurSigné au crayon au recto, tampon Abbot, Maine au versoDimensions de l'image : 49,5 x 38,4 cm
Dimensions du tirage : 76,2 x 60,9 cmView more details -
Berenice AbbottSoap Bubbles, New York, 1946Tirage gélatino-argentique postérieur, réalisé en 1970-80Signé au crayon sur le recto et tamponné au dos Abbot, MaineDimensions de l'image : 40 x 50 cm
Dimensions du tirage : 60 x 76 cmView more details -
Berenice AbbottTransformation of Energy, Cambridge, Massachusetts, 1958-61Tirage gélatino-argentique postérieurSigné au crayon au recto, tampon Abbot, Maine au versoDimensions de l'image : 24,8 x 33,6 cm
Dimensions du tirage : 40,6 x 50,8 cmView more details -
Berenice AbbottWater Waves Change Direction, 1958-61Tirage gélatino-argentique postérieurSigné au crayon au recto, tampon Abbot, Maine au versoDimensions de l'image : 38,1 x 44,4 cm
Dimensions du tirage : 60,9 x 76,2 cmView more details -
Berenice AbbottWave, c. 1958Tirage gélatino-argentique d'époqueSigné au crayon par l'artiste, tampon "Berenice Abbott Photograph, 50 Commerce Street, New York 14, N.Y." et annotations au crayon rouge et noir au versoDimensions de l'image : 20 x 30,4 cm
Dimensions du tirage : 20 x 30,4 cmView more details -
Berenice AbbottPataota Farmers, Maine, 1954Tirage gélatino-argentique postérieurSigné au crayon au recto, tampon Abbot, Maine au verso40,8 x 38,8 cm
Dim. papier: 60 x 76 cmView more details -
Berenice AbbottOld Man in Rocker, Maine, c. 1966Tirage gélatino-argentique postérieurSigné au crayon au recto, tampon Abbot, Maine au verso42 x 39,5 cm
Dim. papier: 60 x 76 cmView more details -
Berenice AbbottAmerican Shops, New Jersey, 1954Tirage gélatino-argentique postérieurSigné au crayon au recto, tampon Abbot, Maine au verso37 x 46,6 cm
Dim. papier: 61 x 76,2 cmView more details -
Berenice AbbottBeach Photos with Fish, Florida, c. 1954Tirage gélatino-argentique postérieurSigné au crayon au recto, tampon Abbot, Maine au versoDimensions de l'image : 30,5 x 26 cm
Dimensions du tirage : 50,8 x 40,6 cmView more details -
Berenice AbbottChildren at Fair, 1954Tirage gélatino-argentique postérieurSigné au crayon au recto, tampon Abbot, Maine au verso38,4 x 37,4 cm
Dim. papier: 60 x 75 cmView more details
Born in 1898 in Springfield, Ohio, USA
Died in 1991 in Monson, Maine, USA
1898
Birth of Berenice Abbott in Springfield, Ohio, on 17 July.
1917
Studies to be a journalist at Ohio State University.
1918
Leaves for New York City and moves in artistic circles.
1921
Sails to Europe. Studies sculpture in Paris and Berlin and frequents the Surrealist avant-garde.
1923
Hired by Man Ray in his Parisian portrait studio. In addition to making prints, starts to take her own portraits.
1926
Opens her own studio. Photographs the bourgeoisie and artists. First exhibition at the gallery Au Sacre du Printemps. Art critics take note. Meets Euge?ne Atget and buys several prints.
1928
Buys part of the estate of Atget, who died in 1927. Exhibits at the Salon de l'Escalier, a manifesto against Pictorialism.
1929
Shows in two German modernist exhibitions: "Fotografie der Gegenwart" (Essen) and "Film und Foto" (Stuttgart).
Returns to New York City. Opens a portrait studio and starts photographing the City.
1930
Exhibits at the Weyhe Gallery. Publishes the book Atget photographe de Paris. Takes part in "Photography" at Harvard University, the first American show to break with tradition and also with the circle of Alfred Stieglitz.
1931
Seeks institutions to finance her big project on New York City.
1932
Exhibitions: "Photographs of New York by New York Photographers", "Photographs by Berenice Abbott" and "Exhibition of Portrait Photography" at the Julien Levy Gallery and "Murals by American Painters and Photographers" at the Museum of Modern Art (MoMA).
1934?35
Photographs Victorian architecture in East Coast cities. Exhibitions: "American Cities Before the Civil War" (Yale University) and "The Architecture of Henry Hobson Richardson and His Times" (MoMA).
1934
Exhibits photographs about New York City at the Museum of the City of New York with the hope of finding sponsors for her project.
1935
Changing New York is supported by the Federal Art Project, a government programme to aid artists. Abbott takes over 300 photographs.
1935-58
Teaches photography at the New School for Social Research.
1937
Exhibition of images of New York City at the Museum of the City of New York.
1939
Publication of the book Changing New York.
1941
Publication of Guide to Better Photography.
1944-45
Artistic Director of Science Illustrated. Develops the super-sight technique which produces 40 x 50 cm (16 x 20 inch) negatives.
1954
Travels along Route 1 to photograph towns on the East Coast.
1958-61
Hired by the Massachusetts Institute of Technology to illustrate the physical principles of light, speed and magnetism.
1960
Exhibition, "Image of Physics" is organised by the Smithsonian Institute in Washington, D.C.
1964
Publication of The World of Atget, Magnet and Motion.
1968
The Museum of Modern Art acquires Abbott and Levy's portion of the Atget estate.
1991
Death of Berenice Abbott in Monson, Maine, on 9 December.
SOLO SHOWS (SELECTION)
2019 Berenice Abbott : Portraits of modernity, foundation MAPFRE, Barcelona, Spain
2018-19 Berenice Abbott, Topographies, Musée de la photographie Charles Nègre, Nice, France
2017-18 Berenice Abbot, Topographie, Kutxa Kultur Artegunea, San Sebastian, Spain
2017 Berenice Abbott, Topographie, Museo d'arte della provincia di Nuoro, Italy
2016 Berenice Abbott Photographs, Martin-Gropius-Bau, Berlin, Germany
2015 Berenice Abbott, Beetles+Huxley, London, England
2014 Berenice Abbott, The City in Transition, Howard Greenberg Gallery, New York, NY, USA
2013-14 Berenice Abbott, Galleria Carla Sozzani, Milan, Italy
2012 Berenice Abbott, Jeu de Paume, Paris, France
Berenice Abbott, AGO Art Gallery of Ontario, Toronto, Canada
2011 Berenice Abbott, Portraits MIT List Visual Arts Center, Cambridge, MA, USA
Berenice Abbott, Charles A. Hartman Fine Art, Portland, OR, USA
2008 Berenice Abbott, Fahey/Klein Gallery, Los Angeles, CA
Berenice Abbott, G. Gibson Gallery, Seattle, WA, USA
2006 Berenice Abbott, Howard Greenberg Gallery, New York, NY, USA
2004-05 Berenice Abbott, HackelBury Fine Art Limited, London, UK
2004 Berenice Abbott, Changing New York Stadtmuseum Berlin, Germany
1998 Changing New York. Museum of the City of New York, New York, NY, USA
1997 Tower Gallery, Yokahama, Japan
1996 Retrospective. International Center of Photography, New York, NY, USA
1994 FNAC Galleries Photo, Paris, France
1990 Corcoran Gallery of Art, Washington D.C, USA
1989 New York Public Library, New York, NY, USA
1988 Ansel Adams and Berenice Abbott: Photographs. Minneapolis Institute of Arts, Minneapolis, MN, USA
1986 Retrospective. Ikona Gallery of Art, Venice, Italy
Amon Carter Museum, Fort Worth, TX, USA
1985 Massachusetts Institute of Technology, Cambridge, Massachusetts, MA, USA
1982 Smithsonian Institution, Washington D.C, USA
Images of America: Precisionist Painting and Modern Photography. San
Francisco Museum of Modern Art, San Francisco, CA, USA
1981 International Center of Photography, New York, NY, USA
1980 New Gallery of Contemporary Art, New York, NY, USA
1970 Retrospective. Museum of Modern Art, New York, NY, USA
1968 A Portrait of Maine. E.G. Valens
1962 George Eastman House, Rochester, NY, USA
1960 Smithsonian Institution, Washington D.C, USA
1959 New School for Social Research, New York, NY, USA
1957 Limelight Gallery, New York, NY, USA
1953 San Francisco Museum of Art, San Francisco, CA, USA
1951 Art Institute of Chicago, Chicago, IL, USA
1937 Changing New York, The Museum of the City of New York, New York, NY, USA
1935 Princeton University, Princeton, NJ, USA
1930 The Contemporary Art Club, Harvard, MA, USA
GROUP SHOWS (RECENT SELECTION FROM 2010 TO DATE)
2019 Luogo e segni, Venice Biennale, Punta della Dogana, Venice, Italy
De l’archive à l’histoire, Isle-sur-la-Sorgue, France
Science-fictions, centre photographique, Rouen, France
2017 L’Ombre de L’angle, CAUE92 – La Galerie, Nanterre, France
2016 Berenice Abbott – Vivian Maier, Les Douches La Galerie, Paris, France
The Radical Eye: Modernist Photography from the Sir Elton John Collection, Tate
Modern, London, England
2015 The Modern Eye: Photographs 1917-1939, Edwynn Houk Gallery, New York, NY,
USA
Modern Photographs from the Thomas Walther Collection, 1909-49, MoMA - The
Museum of Modern Art, New York, NY, USA
Photo London, Les Douches La Galerie, Paris, France
New York, Les Douches La Galerie, Paris, France
2014 A World of Its Own: Photographic Practices in the Studio, MoMA - The Museum of
Modern Art, New York, NY, USA
2013-14 A Democracy of Images, Smithsonian American Art Museum, Washington, DC,
USA
2013 Howard Greenberg – Collection, Musée de l'Elysée, Lausanne, Switzerland
Pictures by Women: A History of Modern Photography, MoMA - The Museum of
Modern Art, New York, NY
Scenes from the South 1936 – 2012, Howard Greenberg Gallery, New York, NY,
USA
2012-13 In the Holocene, MIT List Visual Arts Center, Cambridge, MA, USA
Imagining the Modern Self, Los Angeles County Museum of Art /LACMA, Los
Angeles, CA, USA
2012 The Shaping of New Visions: Photography, Film, Photobook Museum of Modern
Art, New York, NY, USA
Landschaft als Weltsicht, Kunstsammlungen Chemnitz, Chemnitz, Germany
New York Photography 1890-1950, Bucerius Kunst Forum, Hamburg, Germany
Der Mensch und seine Objekte, Museum Folkwang, Essen, Germany
Corporations Are People Too, Winkleman Gallery, New York, NY, USA
Making Faces: Photographic Portraits of Actors and Artists, Portland Museum of
Art, ME, USA
2011-12 The Radical Camera: New York's Photo League, 1936-1951, Jewish Museum, New
York, NY, USA
HIDE/SEEK: Difference and Desire in American Portraiture, Brooklyn, Museum
of Art, Brooklyn, NY, USA
The Unseen Eye, International Museum of Photography and Film George
Eastman House, Rochester, NY, USA
2011 Public Works, Columbia College Chicago, MoCP The Museum of Contemporary
Photography, Chicago, IL, USA
American Modern : Abbott, Evans, Bourke-White, The Art Institute of Chicago,
Chicago, IL, USA
2010-11 Pictures by Women: A History of Modern Photography Museum of Modern Art,
New York, NY, USA
Luminous Cities, NGV National Gallery of Victoria International, Melbourne,
Australia
2010 Weltsichten - Schwerpunkt 20. Jahrhundert Kunstsammlungen der Ruhr-
Universität Bochum, Germany
Pictures by Women: A History of Modern Photography, MoMA - The Museum of
Modern Art, New York, NY, USA
The Original Copy - Photography of Sculpture, 1839 to Today Museum of Modern
Art, New York, NY, USA
Realismus - das Abenteuer der Wirklichkeit. Courbet - Hopper – Gursky,
Kunsthalle Emden, Germany
La photographie n'est pas l'art, collection Sylvio Perlstein, MAMCS Musée d'art
moderne et contemporain,Strasbourg, France
Working Shifts: Photography from the Collection, Queens Museum of Art,
Queens, NY, USA
2009-10 Picturing New York Irish Museum of Modern Art, Dublin, Ireland
Edward Hopper and His Time Kunsthal Rotterdam, Netherlands
Film und Foto: Eine Hommage Staatsgalerie Stuttgart, Germany
PUBLICATIONS (SELECTION)
2016 Ron Kurtz et Hank O'Neal, Berenice Abbott – Paris Portraits 1925-1930, Steidl / Commerce Graphics
2013 Suzanna Calev, Lindsay Turley, Berenice Abbott's Changing New York papers, 1935-1938, Museum of NY
2012 Gaëlle Morel (dir.), Berenice Abbott (1898-1991). Photographies , catalogue de l'exposition du jeu de Paume, Paris, Hazan, Jeu de Paume
1999 Bonnie Yochelson et F. Reynaud, Berenice Abbott, Éditions Hazan
1998 Berenice Abbott, éd. Könemann
1995 Hank O'Neal, « Les passions de Berenice », Berenice Abbott , Paris, Photo Poche
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Unboxing Thousands of Photos of New York City in the ’70s and ’80s
Arlene GottfriedThe New York Times, 4 February 2024 -
Paris Photo, une foire magistrale au Grand Palais
Brigitte Hernandez, Le Point -
Les choix culture du "Point"
Brigitte Hernandez, Le Point, 25 July 2019 -
Berenice Abbott: the photography trailblazer who had supersight
Sean O'Hagan, The Guardian
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Au CAUE92, une exposition loin des clichés
Milena Chessa, Le Moniteur, 10 April 2017 -
L'exposition L'ombre et l'angle met en lumière les liens entre architecture et photographie
François Tassin, Cyberarchi, 6 April 2017 -
Berenice Abbott: Rebels of Paris
Prudence Peiffer, The New York review of books, 4 March 2017 -
Ritratti e città di Berenice Abbott
il Post, 16 February 2017
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Berenice Abbott 's Eye dor the 20th Century
Robert L.Pincus, The Wall Street Journal, 22 December 2016 -
Books: Berenice Abbott Paris Portraits
David Schonaeur, AI AP, 29 November 2016 -
Deux grandes photographes libres
Evelyne Eveno, BIBA, 24 November 2016 -
Berenice Abbott - Vivian Maier : Une fantastique passion
Anna Maréchal, Time Out, 14 November 2016
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Abbott et Maier à la Galerie Les Douches: la photographie américaine sans fioritures
Thierry Hay, France Tv info, 9 November 2016 -
How Berenice Abbott documented the who's who of 1920s Paris
Thea Hawlin, AnOther, 8 November 2016 -
Berenice Abbott et Vivian Maier
Thomas Lapointe, Pop and Up, 1 November 2016 -
Berenice Abbott - Paris Portraits 1925 - 1930
Jörg M. Colberg, Conscientious Photo Magazine, 31 October 2016
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Berenice Abbott: Feminist pioneer of NYC photography
Abbie Synan, The Culture Trip, 28 October 2016 -
Berenice Abbott, Photographs Chez Martin Gropius-Bau Museum
Anne Morin, L'Oeil de la photographie, 14 September 2016 -
"Changing New York": Pulsschlag der Großstadt
Bernhard Schulz, Der Tagesspiegel, 11 July 2016 -
Photo London renaît
Michèle Warnet, Les échos, 22 May 2015
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The Shapes of Water
Group show 10 June - 9 September 2023Featuring works by: Berenice Abbott, Pierre Boucher, Roger Catherineau, Harold Edgerton, Emeric Feher, Jean-Claude Gautrand, Joseph Jachna, Pierre Jamet, Sid Kaplan, Peter Keetman, André Kertész, François Kollar, Bogdan Konopka, Rainer...Read more -
In Praise of the Hand
Group Show 11 March - 31 July 2021Les Douches la Galerie is pleased to present L’éloge de la main [In Praise of the Hand ], a collective exhibition crossing various movements that investigates the motif of the...Read more -
Staff picks
Group show 20 June - 27 July 2019This summer, from 20 June through 27 July, Les Douches la Galerie is pleased to present a selection of our favourite works by Berenice Abbott , Tom Arndt , John...Read more -
Multiples et éditions
Group show 3 December 2016 - 14 January 2017Read more
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Berenice Abbott, Vivian Maier : Une fantastique passion
8 October - 26 November 2016What is the connection between these two utterly different women? Berenice Abbott sought out the light, while Vivian Maier hid amongst the shadows. One indefatigably knocked on every door in...Read more -
New York
Group show 20 March - 13 June 2015We are pleased to announce New York , a group show including Berenice Abbott, Tom Arndt, Arlene Gottfried, Ernst Haas, Helen Levitt, Vivian Maier, Ray Metzker, Louis Stettner, and Sabine...Read more -
Self-portraits
Group show 6 November 2014 - 10 January 2015The Self-Portrait When a photographer shoots him/herself, s/he upsets a code of conduct, and the “shoot” morphs into a real challenge. This show of around 40 modern and contemporary prints...Read more -
Berenice Abbott & Raphaël Dallaporta
20 September - 22 November 2012Since its beginnings in 1839, photography has been a rich, potential source of inspiration for scientists. We can see what’s invisible – from the infinitely teeny to the infinitely huge...Read more
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Berenice Abbott | Voir le temps en couleurs
Centre Pompidou-Metz 13 juillet - 18 novembre 2024 Read more -
Topography
Actualités des artistes 20 April 2019Palazzo delle Paure, Lecco, ItalieRead more -
Science Fictions
Actualités des artistes 9 February 2019Centre Photographique Rouen NormandieRead more -
Survols
Actualités des artistes 8 November 2018CAUE92, NanterreRead more -
North and South: Berenice Abbott's US Route 1
9 June 2017The Wolfsonian - FIURead more -
The Power of Images MAST Collection: an iconic selection of photographs on industry and work
Actualités des artistes 3 May 2017Group exhibition MAST Gallery, ItalieRead more -
L'ombre et l'angle
Actualités des artistes 7 April 2017CAUE 92Read more
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Art Cologne 2023
16 - 19 November 2023Read more -
Paris Photo 2023
9 - 12 November 2023Read more -
Paris Photo 2022
10 - 13 November 2022Read more -
Paris Photo 2021
11 - 14 November 2021Read more -
Paris Photo 2019
7 - 11 November 2019Read more -
Paris Photo 2017
8 - 12 November 2017The photographs we have chosen for Paris Photo 2017 are firmly in line with the artistic stance we privilege at Les Douches la Galerie. The...Read more -
Paris Photo 2016
20e édition 9 - 13 November 2016Read more -
MAD #2
Multiple Art Days 29 September - 2 October 2016Read more -
Photo London
21 - 24 May 2015Read more

