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Mervin E. Newman, Le goût de la modernité

Past exhibition
2018-03-09
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  • Works
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  • Installation Views
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  • Press release
Overview
Marvin E. Newman Legs, Wainting to Cross, Chicago, 1951 Six tirages pigmentaires, tirages postérieurs Signé et daté par l'artiste 16,51 x 12,7 cm Dim. papier: 18 x 14 cm 1/10
Marvin E. Newman
Legs, Wainting to Cross, Chicago, 1951
Six tirages pigmentaires, tirages postérieurs
Signé et daté par l'artiste
16,51 x 12,7 cm
Dim. papier: 18 x 14 cm
1/10

Marvin E. Newman, the storyteller, Marvin E. Newman the inventor. Marvin E. Newman, the charmer.

At the age of ninety, with a mischievous glint in his eye, Marvin E. Newman casually drops a thousand tales that tell the story of American photography from the end of the Second World War to the present day. He’s an inquisitive man who embraces the world and never takes himself too seriously. He has photographed everything with great enthusiasm: from street reporting to advertising and sports, from night life to high fashion. Like many photographers of his generation, he has never shied away from any commission. But as he has done so, he has remained staunchly faithful to what he learned in 1949 from his teachers at the Chicago Institute of Design (which began as the New Bauhaus). As he himself says, ‘no matter what I shoot, I always photograph for myself’. Marvin E. Newman took especially to heart one of the precepts of that mythical school’s founder, Lázló Mohóly Nágy: always experiment and keep experimenting. Leave the beaten paths, embrace new technologies. Impose your vision.

Nowadays, Marvin E. Newman devotes himself to his archives with renewed passion, revisiting his work through the lens of digital prints.

It is with great pleasure that the Gallery is able to present Marvin E. Newman’s first personal exhibit in France, with a selection of his work that ranges from the first photographs he made while still a student in Chicago in 1950 to his works from the 2000s. In addition, we are showing Church on Maxwell Street, the film he made with his famous colleague, Yasuhiro Ishimoto, in 1951, about the street where Chicago blues was born – a little seven-minute jewel of a film.

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Works
  • Marvin E. Newman, Legs, Wainting to Cross, Chicago, 1951
    Marvin E. Newman, Legs, Wainting to Cross, Chicago, 1951
  • Marvin E. Newman Little Girl, Chicago Tirage gélatino-argentique d'époque Dim. papier: 19 x 24,2 cm
    Marvin E. Newman
    Little Girl, Chicago
    Tirage gélatino-argentique d'époque
    Dim. papier: 19 x 24,2 cm
  • Marvin E. Newman, Girls Playing Jump Rope, Chicago, 1950
    Marvin E. Newman, Girls Playing Jump Rope, Chicago, 1950
  • Marvin E. Newman Times Square, NY Tirage cibachrome d'époque Dim. papier: 27,9 x 35,5 cm
    Marvin E. Newman
    Times Square, NY
    Tirage cibachrome d'époque
    Dim. papier: 27,9 x 35,5 cm
  • Marvin E. Newman Times Square, NY Tirage cibachrome d'époque Dim. papier: 27,9 x 35,5 cm
    Marvin E. Newman
    Times Square, NY
    Tirage cibachrome d'époque
    Dim. papier: 27,9 x 35,5 cm
  • Marvin E. Newman Prostitution Series, Rue Saint Denis, Paris Tirage gélatino-argentique d'époque 19 x 24 cm Dim. papier: 20 x 25 cm
    Marvin E. Newman
    Prostitution Series, Rue Saint Denis, Paris
    Tirage gélatino-argentique d'époque
    19 x 24 cm
    Dim. papier: 20 x 25 cm
  • Marvin E. Newman Sun Shadow Tirage pigmentaire postérieur 47 x 32 cm Dim. papier: 48 x 33 cm
    Marvin E. Newman
    Sun Shadow
    Tirage pigmentaire postérieur
    47 x 32 cm
    Dim. papier: 48 x 33 cm
  • Marvin E. Newman, Windy Woman, Shadow Series, Chicago, 1951
    Marvin E. Newman, Windy Woman, Shadow Series, Chicago, 1951
  • Marvin E. Newman Man in Hat, Shadow Series, Chicago Tirage gélatino-argentique postérieur 25,5 x 20 cm Dim. papier: 25,5 x 20 cm
    Marvin E. Newman
    Man in Hat, Shadow Series, Chicago
    Tirage gélatino-argentique postérieur
    25,5 x 20 cm
    Dim. papier: 25,5 x 20 cm
  • Marvin E. Newman Woman in High Heels, Shadow Series, Chicago Tirage gélatino-argentique 20 x 14,5 cm Dim. papier: 25,5 x 20 cm
    Marvin E. Newman
    Woman in High Heels, Shadow Series, Chicago
    Tirage gélatino-argentique
    20 x 14,5 cm
    Dim. papier: 25,5 x 20 cm
  • Marvin E. Newman 5 Men, Shadow Series, Chicago Tirage pigmentaire postérieur 47 x 32 cm Dim. papier: 48 x 33 cm
    Marvin E. Newman
    5 Men, Shadow Series, Chicago
    Tirage pigmentaire postérieur
    47 x 32 cm
    Dim. papier: 48 x 33 cm
  • Marvin E. Newman, Running Boys, Shadow Series, Chicago, 1951
    Marvin E. Newman, Running Boys, Shadow Series, Chicago, 1951
  • Marvin E. Newman Bird's Eye view, New York Stock Exchange Tirage pigmentaire postérieur 31,8 x 47 cm Dim. papier: 33 x 48 cm
    Marvin E. Newman
    Bird's Eye view, New York Stock Exchange
    Tirage pigmentaire postérieur
    31,8 x 47 cm
    Dim. papier: 33 x 48 cm
  • Marvin E. Newman Sun Shadow Tirage pigmentaire postérieur 31,8 x 47 cm Dim. papier: 33 x 48 cm
    Marvin E. Newman
    Sun Shadow
    Tirage pigmentaire postérieur
    31,8 x 47 cm
    Dim. papier: 33 x 48 cm
  • Marvin E. Newman, Winter Boardwalk, 1953
    Marvin E. Newman, Winter Boardwalk, 1953
  • Marvin E. Newman Sun Shadow Tirage pigmentaire postérieur 31,4 x 47 cm Dim. papier: 33 x 48 cm
    Marvin E. Newman
    Sun Shadow
    Tirage pigmentaire postérieur
    31,4 x 47 cm
    Dim. papier: 33 x 48 cm
  • Marvin E. Newman Brighton Bowl, Winter Boardwalk, Coney Island, NY Tirage pigmentaire postérieur 31,7 x 47 cm Dim. papier: 33 x 48 cm
    Marvin E. Newman
    Brighton Bowl, Winter Boardwalk, Coney Island, NY
    Tirage pigmentaire postérieur
    31,7 x 47 cm
    Dim. papier: 33 x 48 cm
  • Marvin E. Newman, Hobby Horse, Winter Boardwalk, 1953
    Marvin E. Newman, Hobby Horse, Winter Boardwalk, 1953
  • Marvin E. Newman Man and Woman, Shadow Series, Chicago Tirage pigmentaire postérieur 40,3 x 31 cm Dim. papier: 48 x 33 cm
    Marvin E. Newman
    Man and Woman, Shadow Series, Chicago
    Tirage pigmentaire postérieur
    40,3 x 31 cm
    Dim. papier: 48 x 33 cm
  • Marvin E. Newman, Two Men with Manhole Cover, Shadow Series, Chicago, 1951
    Marvin E. Newman, Two Men with Manhole Cover, Shadow Series, Chicago, 1951
  • Marvin E. Newman Couple, Shadow Series, Chicago Tirage pigmentaire postérieur 45,4 x 31,7 cm Dim. papier: 48 x 33 cm
    Marvin E. Newman
    Couple, Shadow Series, Chicago
    Tirage pigmentaire postérieur
    45,4 x 31,7 cm
    Dim. papier: 48 x 33 cm
  • Marvin E. Newman Man in Hat and Woman with Purse, Shadow Series, Chicago Tirage gélatino-argentique postérieur 16 x 24 cm Dim. papier: 20 x 25 cm
    Marvin E. Newman
    Man in Hat and Woman with Purse, Shadow Series, Chicago
    Tirage gélatino-argentique postérieur
    16 x 24 cm
    Dim. papier: 20 x 25 cm
  • Marvin E. Newman, Running Children, Shadow Series, Chicago, 1951
    Marvin E. Newman, Running Children, Shadow Series, Chicago, 1951
  • Marvin E. Newman Man with Cane, Shadow Series, Chicago Tirage pigmentaire postérieur 31,8 x 47 cm Dim. papier: 33 x 48 cm
    Marvin E. Newman
    Man with Cane, Shadow Series, Chicago
    Tirage pigmentaire postérieur
    31,8 x 47 cm
    Dim. papier: 33 x 48 cm
  • Marvin E. Newman Legs, Shadow Series, Chicago Tirage pigmentaire postérieur 32 x 47 cm Dim. papier: 33 x 48 cm
    Marvin E. Newman
    Legs, Shadow Series, Chicago
    Tirage pigmentaire postérieur
    32 x 47 cm
    Dim. papier: 33 x 48 cm
  • Marvin E. Newman Trash Baskets, Jones Beach, N.Y. Tirage gélatino-argentique d'époque 28 x 18 cm Dim. papier: 28 x 18 cm
    Marvin E. Newman
    Trash Baskets, Jones Beach, N.Y.
    Tirage gélatino-argentique d'époque
    28 x 18 cm
    Dim. papier: 28 x 18 cm
  • Marvin E. Newman Woman and Child, Shadow Series, Chicago Tirage gélatino-argentique postérieur 15,8 x 24,4 cm Dim. papier: 15,8 x 24,4 cm
    Marvin E. Newman
    Woman and Child, Shadow Series, Chicago
    Tirage gélatino-argentique postérieur
    15,8 x 24,4 cm
    Dim. papier: 15,8 x 24,4 cm
  • Marvin E. Newman Feet, Shadow Series, Chicago Tirage pigmentaire postérieur 31,8 x 47 cm Dim. papier: 33 x 48 cm
    Marvin E. Newman
    Feet, Shadow Series, Chicago
    Tirage pigmentaire postérieur
    31,8 x 47 cm
    Dim. papier: 33 x 48 cm
  • Marvin E. Newman Children Fighting in Street, Chicago Tirage gélatino-argentique d'époque Dim. papier: 24 x 19,4 cm
    Marvin E. Newman
    Children Fighting in Street, Chicago
    Tirage gélatino-argentique d'époque
    Dim. papier: 24 x 19,4 cm
  • Marvin E. Newman MacArthur Parade, Chicago Tirage gélatino-argentique postérieur 24 x 19,4 cm Dim. papier: 25,5 x 20,3 cm
    Marvin E. Newman
    MacArthur Parade, Chicago
    Tirage gélatino-argentique postérieur
    24 x 19,4 cm
    Dim. papier: 25,5 x 20,3 cm
  • Marvin E. Newman, Downtown Manhattan, New York, 1980
    Marvin E. Newman, Downtown Manhattan, New York, 1980
  • Marvin E. Newman, Times Square, NY, 1983
    Marvin E. Newman, Times Square, NY, 1983
  • Marvin E. Newman, Streetscene with "Kiss Me Kate" Advertisement, New York City, 1950
    Marvin E. Newman, Streetscene with "Kiss Me Kate" Advertisement, New York City, 1950
  • Marvin E. Newman, Children Playing Baseball in Street, New York, 1955
    Marvin E. Newman, Children Playing Baseball in Street, New York, 1955
  • Marvin E. Newman, Woman, Wall Street, 1955
    Marvin E. Newman, Woman, Wall Street, 1955
  • Marvin E. Newman Times Square, NY Tirage cibachrome d'époque Dim. papier: 27,9 x 35,5 cm
    Marvin E. Newman
    Times Square, NY
    Tirage cibachrome d'époque
    Dim. papier: 27,9 x 35,5 cm
  • Marvin E. Newman Two Women, Prostitution Series, Rue Saint Denis, Paris Tirage gélatino-argentique d'époque 19 x 24 cm Dim. papier: 20 x 25 cm
    Marvin E. Newman
    Two Women, Prostitution Series, Rue Saint Denis, Paris
    Tirage gélatino-argentique d'époque
    19 x 24 cm
    Dim. papier: 20 x 25 cm
  • Marvin E. Newman Smoking, Prostitution Series, Rue Saint Denis, Paris Tirage gélatino-argentique d'époque 19 x 24 cm Dim. papier: 20 x 25 cm
    Marvin E. Newman
    Smoking, Prostitution Series, Rue Saint Denis, Paris
    Tirage gélatino-argentique d'époque
    19 x 24 cm
    Dim. papier: 20 x 25 cm
  • Marvin E. Newman Hotel Saint Georges, Prostitution Series, Rue Saint Denis, Paris Tirage gélatino-argentique d'époque 19 x 24 cm Dim. papier: 20 x 25 cm
    Marvin E. Newman
    Hotel Saint Georges, Prostitution Series, Rue Saint Denis, Paris
    Tirage gélatino-argentique d'époque
    19 x 24 cm
    Dim. papier: 20 x 25 cm
  • Marvin E. Newman Hotel St. Georges, Rue Saint Denis, Paris, Prostitution Series Tirage gélatino-argentique d'époque 19 x 24 cm Dim. papier: 20 x 25 cm
    Marvin E. Newman
    Hotel St. Georges, Rue Saint Denis, Paris, Prostitution Series
    Tirage gélatino-argentique d'époque
    19 x 24 cm
    Dim. papier: 20 x 25 cm
  • Marvin E. Newman Street Scene in Front of Hotel St. Georges, Prostitution Series, Rue Saint Denis, Paris Tirage gélatino-argentique d'époque 19 x 24 cm Dim. papier: 20 x 25 cm
    Marvin E. Newman
    Street Scene in Front of Hotel St. Georges, Prostitution Series, Rue Saint Denis, Paris
    Tirage gélatino-argentique d'époque
    19 x 24 cm
    Dim. papier: 20 x 25 cm
  • Marvin E. Newman Prostitution Series, Rue Saint Denis, Paris Tirage gélatino-argentique d'époque 19 x 24 cm Dim. papier: 20 x 25 cm
    Marvin E. Newman
    Prostitution Series, Rue Saint Denis, Paris
    Tirage gélatino-argentique d'époque
    19 x 24 cm
    Dim. papier: 20 x 25 cm
  • Marvin E. Newman Potential Client, Prostitution Series, Rue Saint Denis, Paris Tirage gélatino-argentique d'époque 19 x 24 cm Dim. papier: 20 x 25 cm
    Marvin E. Newman
    Potential Client, Prostitution Series, Rue Saint Denis, Paris
    Tirage gélatino-argentique d'époque
    19 x 24 cm
    Dim. papier: 20 x 25 cm
  • Marvin E. Newman Waiting in Front of Coiffure, Prostitution Series, Rue Saint Denis, Paris Tirage gélatino-argentique d'époque 19 x 24 cm Dim. papier: 20 x 25 cm
    Marvin E. Newman
    Waiting in Front of Coiffure, Prostitution Series, Rue Saint Denis, Paris
    Tirage gélatino-argentique d'époque
    19 x 24 cm
    Dim. papier: 20 x 25 cm
  • Marvin E. Newman Doorway of Hotel de L'Espérance, Prostitution Series, Rue Saint Denis, Paris Tirage gélatino-argentique d'époque 19 x 20 cm Dim. papier: 20 x 25 cm
    Marvin E. Newman
    Doorway of Hotel de L'Espérance, Prostitution Series, Rue Saint Denis, Paris
    Tirage gélatino-argentique d'époque
    19 x 20 cm
    Dim. papier: 20 x 25 cm
  • Marvin E. Newman Waiting, Prostitution, Rue Saint Denis, Paris Tirage gélatino-argentique d'époque 19 x 24 cm Dim. papier: 20 x 25 cm
    Marvin E. Newman
    Waiting, Prostitution, Rue Saint Denis, Paris
    Tirage gélatino-argentique d'époque
    19 x 24 cm
    Dim. papier: 20 x 25 cm
  • Marvin E. Newman Prostitution Series, Rue Saint Denis, Paris Tirage gélatino-argentique d'époque 19 x 24 cm Dim. papier: 20 x 25 cm
    Marvin E. Newman
    Prostitution Series, Rue Saint Denis, Paris
    Tirage gélatino-argentique d'époque
    19 x 24 cm
    Dim. papier: 20 x 25 cm
  • Marvin E. Newman Prostitution Series, Rue Saint Denis, Paris Tirage gélatino-argentique d'époque 19 x 24 cm Dim. papier: 20 x 25 cm
    Marvin E. Newman
    Prostitution Series, Rue Saint Denis, Paris
    Tirage gélatino-argentique d'époque
    19 x 24 cm
    Dim. papier: 20 x 25 cm
  • Marvin E. Newman Prostitution Series, Rue Saint Denis, Paris Tirage gélatino-argentique d'époque 19 x 24 cm Dim. papier: 20 x 25 cm
    Marvin E. Newman
    Prostitution Series, Rue Saint Denis, Paris
    Tirage gélatino-argentique d'époque
    19 x 24 cm
    Dim. papier: 20 x 25 cm
  • Marvin E. Newman Smoking, Prostitution Series, Rue Saint Denis, Paris Tirage gélatino-argentique d'époque 19 x 24 cm Dim. papier: 20 x 25 cm
    Marvin E. Newman
    Smoking, Prostitution Series, Rue Saint Denis, Paris
    Tirage gélatino-argentique d'époque
    19 x 24 cm
    Dim. papier: 20 x 25 cm
  • Marvin E. Newman Motorcycles, Times Square, NY Tirage cibachrome d'époque 28 x 35 cm Dim. papier: 28 x 35 cm
    Marvin E. Newman
    Motorcycles, Times Square, NY
    Tirage cibachrome d'époque
    28 x 35 cm
    Dim. papier: 28 x 35 cm
  • Marvin E. Newman Two Women, Prostitution Series, Rue Saint Denis, Paris Tirage gélatino-argentique d'époque 23 x 34 cm Dim. papier: 28 x 35 cm
    Marvin E. Newman
    Two Women, Prostitution Series, Rue Saint Denis, Paris
    Tirage gélatino-argentique d'époque
    23 x 34 cm
    Dim. papier: 28 x 35 cm
  • Marvin E. Newman Prostitution Series, Rue Saint Denis, Paris Tirage gélatino-argentique d'époque 19 x 24 cm Dim. papier: 20 x 25 cm
    Marvin E. Newman
    Prostitution Series, Rue Saint Denis, Paris
    Tirage gélatino-argentique d'époque
    19 x 24 cm
    Dim. papier: 20 x 25 cm
Press
  • Marvin E. Newman - Le goût de la modernité

    La Gazette Drouot, 13 April 2018
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  • Soleil Froid

    Télérama, 11 April 2018
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  • Marvin E. Newman "Je recherche toujours quelque chose qui n'a jamais été fait."

    Libération, 27 March 2018
  • Des pépites américaines à voir dans les galeries

    L'Humanité, 27 March 2018
  • Marvin Newman, A taste for modernity

    The Eye of Photography, 26 March 2018
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  • Marvin Newman, Le goût de la modernité

    L'Oeil de la Photographie, 26 March 2018
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Installation Views
Publications
  • Marvin E. Newman

    Marvin E. Newman

    Reuel Golden, Lyle Rexer, 2018
    Livre d'art
    Publisher: Taschen
    ISBN: 978-3-8365-6145-7
    Read more
Press release

MARVIN E. NEWMAN, THE INVENTOR

I wanted to begin by writing, 'Marvin E. Newman was born in 1943 at the age of sixteen, in Brooklyn College in New York, to Walter Rosenblum and Berenice Abbott'.

But I could just as well have muddied the waters by stating that Newman was born in 1949 at the famous Chicago Institute of Design to Harry Callahan and Aaron Siskind. But let's be serious for a moment: Marvin E. Newman was born on 5 December 1927 in the Bronx, the son of Mr and Mrs Newman. He currently lives in New Jersey.

If you were to ask Newman himself, he would tell you that he sees himself spiritually connected to Lewis Hine, Walker Evans and Harry Callahan. From the first two, and especially from Hine, he inherited a profound compassion for his subjects. A deep humanity mixed with melancholy that is visible in his series Striptease from Kansas City in the 1950s, or again in his work on the prostitutes of the rue St.-Denis in Paris in 1960. The link with Callahan is obvious – an aesthetic that comes from the Bauhaus, which is clear in his photos of reflections, dating from the end of the 1940s.

But Newman is much more than a student or a follower. He is quite the opposite. He is an inventor. He is one of those artists who open doors. And not one door, but many. Such artists are a rarity! I would not hesitate to put him in the same category as Picasso, who never ceased to invent and reinvent himself. You must always pay close attention to the date of Newman's pictures. Here I am thinking in particular of the photo of the New York Stock Exchange. It is difficult not to be reminded of Andreas Gursky's series of photos taken between 1990 and 2000. But Newman's photo was taken in 1956. And in some ways, it seems even more contemporary to me. It is impossible that Gursky was not inspired by it. But it hardly matters. For as well known as Newman's work is, I still feel that people underestimate it, given its importance in the history of photography.

Since I have mentioned the photograph Bird's Eye view, New York Stock Exchange, let me talk about Marvin E. Newman, the colour photographer. It is hardly surprising that when discussing his photos of Broadway from the middle of the 1950s, Newman cited another of his professors, the painter Burgoyne Diller, as a source of inspiration. Yes, a painter, not a photographer. Diller can be considered an American student of Mondrian. Taking a closer look at those pictures of Broadway, that is precisely what stands out – broken lines, balance, vibrating colours. The photographs are as much the work of a painter as of a photographer. For Newman, we see the world in colour and not in black and white. In this he is the opposite of Cartier-Bresson.

To return for a moment to a subject dear to Newman – prostitution – the photos he took in Reno, Nevada, in the 1970s are part of a very different aesthetic to those he took earlier in Kansas City and Paris. These later photos are harbingers of an aesthetic that would not truly emerge until the 1980s with someone like Nan Goldin.

So, please be careful: there is not one single Marvin E. Newman, but several Marvin E. Newmans. Or, as with Picasso, perhaps it would be better to speak of periods: the Chicago period, the New York period, the San Gennaro period, the Coney Island period, the Kansas City period, the Broadway period, the Las Vegas period, the Wall Street period, the Sports Illustrated period, the 42nd Street period, the California period, and so on and so forth.

Marvin E. Newman will forever be astonished. And so he will forever astonish us. Amaze us. Good morning, Mr Newman.

Olivier Beer

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  • Marvin E. Newman

    Marvin E. Newman

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